Lens WIDE-OPEN, Any Lens, Any focal Length, Any Mount, Any Camera

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50/2, Wide-open on the M9. Ignore the EXIF! The Leica tries to guess, and there is no coding for many lenses. Including this one,
 
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Nikkor 28mm f/2. Quickly becoming a new favorite.
I bet. And thing is, this is only just the beginning, as it's very hard to find a duff AI lens of which a great many can be picked up for relative peanuts. Even the never mentioned 50mm AF-D 50mm F1.8 I often see available for $20 which no one seems to want (probably cos it looks too cheap 😅 )renders some fantastic images.
 
I now realize that there are very few that I do not shoot wide open!
I can relate to this. A lot of people confuse wanting to shoot wide open with an urge to achieve 'bokeh', that's not neccessarily the case, it's often a case of simply isolating a subject, even from far away, which draws the eye to the subject (as you have so aptly demonstrated). Or to put it another way; depth of field.
 
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Sorry I got carried away… in looking through some of my favourite images from favourite lenses, I now realize that there are very few that I do not shoot wide open!

I can relate to this. A lot of people confuse wanting to shoot wide open with an urge to achieve 'bokeh', that's not neccessarily the case, it's often a case of simply isolating a subject, even from far away, which draws the eye to the subject (as you have demonstrated).
Same for me on both counts.
 
I bet. And thing is, this is only just the beginning, as it's very hard to find a duff AI lens of which a great many can be picked up for relative peanuts. Even the never mentioned 50mm AF-D 50mm F1.8 I often see available for $20 which no one seems to want (probably cos it looks too cheap 😅 )renders some fantastic images.
I got myself 3 for Christmas, and I really enjoy the output of all of them, as well as using them. 28mm has always been my favorite focal length though, and this is really a special lens.
 
… it's often a case of simply isolating a subject, even from far away, which draws the eye to the subject (as you have so aptly demonstrated).
I love it when full-frame-fanatics say, "You can't do that with a postage-stamp-sized sensor!"

Yea, given identical shooting location, focal length, and focal ratio, full-frame has more subject isolation than µ4/3rds.

But that's not what we do as photographers, is it?

The goal should be to make the scene work for you, not accept the characteristics of your equipment as limiting what you can do with the scene.

It's not always available (birds and other wildlife, for example), but the single most effective way of isolating the subject is to get closer! You can do this physically with shoe-leather, or if you can't get physically closer, you can do it with optics. That's why I always carry the diminutive OM Zuiko 500/8 Reflex.
 
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