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On occasion, Fuji does do a full reset after a firmware update. Usually I’ve had it happen after a major version jump, say like from 1.1 to 2. Rare, but no unheard of.

That is my site....I try not to use it too often here - don't want people thinking I'm trying to push anything...but sometimes it just makes sense to just share the post, rather than re-type out all that info. :) I did at one point sell off the 50/2 and got the Fuji 56/1.2 WR. That is one...

My take. Loves the lens, highly underrated. https://bestlightphotoblog.wordpress.com/2019/05/28/fuji-50mm-f-2-r-wr-review/

Unless you really need IBIS, I found the XT4 and XT3 so close in function and operations - that the only significant difference is the IBIS. I know for me, if I dipped back into Fuji and wanted a pro body, the XT3 would be the one that I looked at really hard first. I do really like the XE...

X-Pro2 and the 35mm f/1.4 R

Given the proliferation of screen issues on the XPRO 3, I’m surprised it is as desired in the used market as it is. I can see the XPRO2 still having some appeal and against the X100 series it is the choice of you want interchangeable lenses.

Agree and 99% of the time the Xpros are rocking prime lenses. There are occasions where the small zooms are more preferable and the 18-55 fits that niche well.

The 16-80 is a fine lens and a great range. I found it better on the XT3/XT4 body style. Since I only have the XPro2 - I prefer the size of the 18-55 and have gone back to that.

I almost forgot, but there is an OEM Fuji X Raw software as well. It is not the fastest, but it does work. I do shoot jpg mostly on the XPRO2, but the ability to connect the camera and process the raw via the camera and then surft any of the pure saved film simulations is a fun and quick option.

Capture one for Fuji Or Lightroom and then sharpening in Topaz Photo AI

I’ve been rather impressed with the Viltrox lenses. Had a 24/1.8 for Nikon Z-mount until my 28/2.8 SE arrived. Really liked the performance all around. Biggest weakness was the distortion in the corners. That 85mm looks very good as well.

I'm going to be 100% transparent. I've had major issues with Sigma gear. I've tried many lenses in the past and had performance issue and deal breaker focusing issues. Optically, I like what I see...but those past experiences always put doubt in my head. As just one example, I tried several...

Unless they know something we don't, it may be a misstep on Sigma and Tamron's part to be bringing those lenses to market without OIS/VR/VC in the lens. At the prices they are asking, a used 18-55/2.8-4 (yes, I am aware that the Sigma/Tamrons are f/2.8 constant) may be a more attractive...

Now that Fuji has that out of their system….I hope they give us an X-Pro4 with IBIS. They do that and the X-T4 will go up for sale. Not so much a MP chaser, so IBIS is really it. I would love to run a dual X-Pro2 and X-Pro4 kit.

I highly doubt that any non OEM lens is going to work in dual stabilization mode. I don’t know of any camera maker that has that. Fuji stabilization is much like the Tamron G2 VC modes. Shooting only kicks in once the shutter is fully depressed Continuous runs the stabilization at half press...

Sony does make a lot, but not all, the sensors for most cameras. However, companies like Nikon have their own designs and they have Sony fabricate them as Nikon does not have their own fabrication facilities. It would cost more money for someone to request a base sensor tech that is not part of...

What I like to do when sampling some film simulation recipes is to shoot in raw and then process them in Fuji’s software. It will allow you to enter the same Film simulation recipes values and affect the raw.

The XT4 is a cut above the XPro2 and aI have both. Not had a chance to use an XH2 yet, but I it should be very close if not practically the same. XT have a slightly smaller body than the XH. I've shot indoor fencing with the XT4 and it impressed me.

If you don't need/want IBIS - XT3, if you do - XT4 would be my recommendation. https://bestlightphotoblog.wordpress.com/2020/10/26/fujifilm-x-t3-review/ https://bestlightphotoblog.wordpress.com/2022/03/18/fujifilm-x-t4-review/

After shooting with the S2 Pro for a while, not only does the Super CCD do an excellent job for it's age...but I find that the whole experience of shooting with a minimalistic DSLR to be refreshing. 99% of what you need is a button on the camera body. There is no video to have to deal with. The...

Also put some S2 Pro and DX 35mm f/1.8 G images in the Street Art Thread. Here are some others. Shot JPG and a little post in Lightroom/DxO Filmpack 6 or Nik Analog Efex 1 2 3 4 5 6 7 8 9 10 11

Shot again with B/W mode, TONE = HARD, SHARP = HARD but this time at 3024 (6mp) resolution and the Nikon 18-70/3.5-4.5 A little tweak here and there with the Lightroom for exposure and this is what I got! 1 2 3 4 - Nova watching the Heron and Egret off the observation deck 5 - me on...

Shot RAW - Lightroom and Topaz Sharpen AI Some love in DxO Filmpack 6 for monochromes and color were processed in Nik Analog Pro Efex Nikon 18-70mm f/3.5-4.5 1 2 3 4

1 - RAW processed in Lighroom and DxO Filmpack 6 (Nikon 55-200/4.5-5.6VR II) 2 - SOOC B/W JPG - with a little lightroom tweaking (Nikon 18-70f/3.5-4.5)

Found a used - but looks new Nikon 55-200/4.5-5.6 VR II at the local camera store. AF-S motor in this lens is more amazing than I remember. Makes the S2 Pro feel way more premium than it did with the screw drive 28-70/3.5-4.5D. Just a little backyard fun. Processed RAW in Lightroom and then...

I guess I’ll need to setup a portrait shoot and see first hand how it renders. Everyone that has had one seems to just rave over the colors and the portrait renderings.

OK, so the next experiment with the S2 Pro - Monochrome! Settings are as follows: Fine file size and 4256 resolution Color mode = B/W Tone = Hard Sharpening = Hard To my surprise, tone at the hard setting actually pulled the black and white point in the histogram more toward the middle. I...

Perhaps, based on your suggestion, I'll spend that money elsewhere!

From my research, it was stated as a 2002 release.

And the 28-70/3.5-4.5D lens attached to it is a little bit older as well. Not sure when my copy was built, but that lens, I believe was built between 1991 and 1999. So possibly a 20-30 year old optic on it as well. As far as megapixels go, I started a very good photography business with a...

Used to have one of those years ago for a walk about lens for a Yellowstone trip. I have fond memories of it...but since I already had one of those, was thinking of maybe trying my hand at an 18-200 VR lens. I'm thinking the 18-140 might be better and it is a known quantity to me, but what is...

Out today and shot the S2 Pro in High/RAW mode. Processed the images for exposure in Lightroom Classic and then sent them over to Topaz Sharpen AI for noise reduction and sharpening. I will say that I am rather impressed by the control over the ISO noise. Shot a few images at 1600 ISO and...

*** I changed the title to remove JPG - now have some sample images from RAW *** Only lens that I have that works with it is the Nikon 28-70/3.5-4.5D Not bad for OOC JPG with a little Lightroom processing (basic adjustments and sharpening). So far, love the feel of the camera body and the...

These are recent purchases (relatively). I’ve older Wasabi batteries for Nikon and have no issues with them and they are going in many years of use.

Charger that shipped with the batteries.

Another update. Had a second Wasabi branded battery fail on me and cause issues with my X-Pro2. Going to be dropping all of them into the recycle and will only be using Fuji branded 126 batteries in it from now on. I’m surprised as this is the first I’ve had an issue like this with that...

That setting he is referring to is basically Fuji’s way of saying that the camera is being put in charge of which type of shutter to use depending on shooting condition and need. It will use electronic first curtain shutter below certain shutter speed, then mechanical up through 1/8000, then...

I’d recommend using the CaptureOne for Fuji or Fuji’s OEM software for working with RAF files.

I too would love to be able to do a custom film simulation bracket. When I want to do that now, I shoot in raw and then process the files using the Fuji software and I build the custom sims in the software and pop them out that way.

I decided to inspect the battery a little more. I think it may have started to bulge some. Couldn’t perceive any distortion of the case with the eye, and I do not have any kind of calipers to check scientifically. However, I did notice that the battery did not drop freely from the battery...

OK, so I got home and did some additional diagnostics. Turns out it might be the batch of Wasabi batteries I got for the XPRO2. I had those with me (one in the camera and one fully charged in the bag). When I got home, I tried recreating the issue again and sure enough, even in the house...

So wanted to get some input from others here about the XPRO2 and cold weather. I was outside today. temps were between 30-35F. About every third shot or so, the camera would act as of the shutter would stick and could take anywhere from 5-15 seconds to free up and take a shot. I was not...

I've got an old zeiss ikon folder I might have to try this with. Maybe pick up an older digital body to toy around with. I did some quick testing and was able to get an image to appear on my rear LCD of my XPRO2. The trick, is getting things attached together and light tight around the...

I’d be seriously interested!! Although I’d see more traction for that in an X100 or XPRO type body.

Oh, we are just positing some theories back and forth...we allowed to be nerdy! :D I mean, it could be but I'm not sure we know what Fuji is thinking. They have done some "weird" stuff in the past that they never really explained, like still having the XT3 and XT4 as co-flagships, or even...

I think Nikon has debunked the need for a smaller sensor for faster readout as the Z9 is 45mp and FX size and a beast without a mechanical shutter! Truth is we don't really know. My hope would be that both would be BSI stacked with a fast enough readout to eliminate/reduce rolling shutter...

I have my doubts on the overall quality of a superzoom of that magnitude. If a third party lens manufacturer can pull off a winner with that, it would be Tamron. I'll give them that. They are my fav 3rd party lens maker. I too have the 16-80 and the 70-300 and I can't see much of anything...

Mine too and I’m out here in OH. Have to go see my allergist again.

The way life should be.