The devil will be in the details. Let's hope it works well.
As I remember from shooting manual-focus split image cameras (some of my dad's), it was often tough to tell if the subject was optimally in focus with just your eyes. So, the top and bottom half of the center coming together in some way (it was more of a *phase* thing, the two halves looked different until the subject was in focus) was a nice indicator that you had the focus for your subject. Then you'd reframe and take the shot.
I've had the same kinds of issues with manual focus on digitals. Do you have the focus on the eyes nailed, or when you get back and edit, is it slightly off? ("Dang!") A quick "digital zoom" can help with that, but it disrupts getting the context right, and often the digital zoom isn't the power you'd want. Focus-peaking is a bit better, but something is either sparkling or black-dotting around in your preview.
In the split-image approach, the two images come together for the subject in the center. Then the distractions are gone, and you can verify the focus with your eyes.
Sounds a lot like the manual focus shooting experience from long ago, and a bit like on the modern range-finders.