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<blockquote data-quote="MoonMind" data-source="post: 350207" data-attributes="member: 5637">I still have a couple of frames left in the Zeiss Ikon Super Ikonta - Fujifilm Acros Neopan 100, second-to-last roll (the last one will be loaded in the Pentacon Six some time next week - I have a beautiful new lens to test out). And as a counterpoint, there's Fujifilm C200 in the Leica AF-C1 - I have to say that I like this much-maligned camera quite a bit.But the cameras I'm really looking forward to loading up and shooting are the Leica M4-P and the Mamiya 6 MF - both will see an outing in the next couple of weeks. Probably both colour film (Kodak Ektar 100 and Fujifilm Pro 400H, respectively). I also have a couple of rolls of Kodak ColorPlus 200 waiting to be tested - I hope this film can replace the C200 that will cease to be available some time soon ...Sadly, not a single frame yesterday, neither film nor digital - it was a very taxing day ...M.</blockquote>

[QUOTE="MoonMind, post: 350207, member: 5637"] I still have a couple of frames left in the Zeiss Ikon Super Ikonta - Fujifilm Acros Neopan 100, second-to-last roll (the last one will be loaded in the Pentacon Six some time next week - I have a beautiful new lens to test out). And as a counterpoint, there's Fujifilm C200 in the Leica AF-C1 - I have to say that I like this much-maligned camera quite a bit. But the cameras I'm really looking forward to loading up and shooting are the Leica M4-P and the Mamiya 6 MF - both will see an outing in the next couple of weeks. Probably both colour film (Kodak Ektar 100 and Fujifilm Pro 400H, respectively). I also have a couple of rolls of Kodak ColorPlus 200 waiting to be tested - I hope this film can replace the C200 that will cease to be available some time soon ... Sadly, not a single frame yesterday, neither film nor digital - it was a very taxing day ... M. [/QUOTE]

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