Constant drizzle but there was light out there. Tight spaces, reflective surfaces. I knew it would be a smart idea to simplify my gear to an umbrella and the 21mm prefocused to cover 2 m and thereabouts. No chimping, no adjusting focus (very difficult anyway one-handed).
In contrast to my usual MO I mass-applied a film preset to the pictures before starting the selection process. Heh, these shots seeing them for the first time have a very film like mojo -- I mean, as if I was looking at someone else's film scans.
This experiment went so well! I also kept post-processing minimal. Only a bit of dodge here and there, and a few heavier crops to get to the point. Speaking of which -- I'm envisioning perhaps about using this lens as a crop-sensor 28/35 mm. Use built-in framelines and mass-crop pics on import. This voigtländer gem renders really beautifully!
In contrast to my usual MO I mass-applied a film preset to the pictures before starting the selection process. Heh, these shots seeing them for the first time have a very film like mojo -- I mean, as if I was looking at someone else's film scans.
This experiment went so well! I also kept post-processing minimal. Only a bit of dodge here and there, and a few heavier crops to get to the point. Speaking of which -- I'm envisioning perhaps about using this lens as a crop-sensor 28/35 mm. Use built-in framelines and mass-crop pics on import. This voigtländer gem renders really beautifully!
Join to see EXIF info for this image (if available)
Join to see EXIF info for this image (if available)
Join to see EXIF info for this image (if available)
Join to see EXIF info for this image (if available)
Join to see EXIF info for this image (if available)
Join to see EXIF info for this image (if available)
Join to see EXIF info for this image (if available)
Join to see EXIF info for this image (if available)
Join to see EXIF info for this image (if available)
