Don’t normally enter these and am not in it to win it, I’m just intrigued, as the shot appears to have been taken with a Nikon DF and Zeiss Distagon 35mm F2, so we’re talking quality gear here, none of which I’ve previously used. FWIW my laziness means I use gear requiring minimal PP of files, so it’s been a while since I’ve focused on a file to this degree.
Looking at the file, I wanted to emphasise the church more than what is initially shown, after all, that’s what the image is about. At the same time, the starting image is a bit overblown (for me) so required work, but that’s part of what having a raw file to work with is all about, so all good.
So this was my thinking:
Looking at the file, I wanted to emphasise the church more than what is initially shown, after all, that’s what the image is about. At the same time, the starting image is a bit overblown (for me) so required work, but that’s part of what having a raw file to work with is all about, so all good.
So this was my thinking:
- With the various shades of blues, greens and oranges in the colour image, more prominence could be given to the church without the distraction of those colours if the image was in B&W; duly converted.
- As the shot was taken with a DF and a Zeiss Distagon, I was thinking that sharpening and contrast would be as good as it gets out of the box and wouldn’t need adjusting, so I left that as is.
- However, to handle the apparent overexposure in the file, I reduced exposure and highlights and applied some de-hazing whilst at the same time increasing shadows. This seemed to work for me anyway.
- I also applied an increase in orange tones to the B&W file to emphasise the colour of the building and also adjusted the green and blue B&W tones to try and handle the grass and sky.
- To further emphasise the church, slight cropping, straightening and vignetting is also applied. Possibly too much vignetting but hey ho. I think I did what I set out to achieve anyway. T’was good fun.
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