Film film shooters` drift

[phigmov]

Nikon F + Arista 400

C860905-R1-11-12 by Walter Kernow, on Flickr

 

[re-note]

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Leica R3 - Elmarit R - 2,8/180 - Ektachrome 100

 

[MiguelATF]

They say "the devil is in the details"... In this case, the details are parts of an ancient pickup truck whose lines always remind me that, in earlier times, there was an elegance hidden beneath the veneer of functionality.

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And--

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And one more--

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Kodak 400 Portra
Pentax ZX-5 + FA50mm

 

[re-note]

“Pictures of perfection make me sick & wicked.” Jane Austen 🙄

The Sunday Pic - image noire not b&w
Leicaflex SL - 1.exposure Tamron 3,5/35-210 - 2.exposure Summicron - R 2,0/35 - Kodak Farbwelt 200
pic from my project: "broken images "

 

[mike3996]

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[phigmov]

Nikon F + Arista 400

C860905-R1-07-8 by Walter Kernow, on Flickr

 

[re-note]

XR-X files

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Film: Kodak Gold
Ricoh XR-X - Beroflex 2,8-4/35-70

 

[tortellini.man]

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some photos from an interesting sunny/foggy day on the ferry on cinestill 400d

 

[gordo]

My 4 rolls of test film through the Canonets arrived. Did a few quick scans this evening, will try for some better scans on the flatbed over the rest of this week.

Flic Film Ultra Pan 400, some minor adjustments to contrast and black level.

 

[gordo]

Canonet QL17 GIII, Flic Film Ultra Pan 400, orange filter, straight off flatbed scanner no corrections, downsized for web with minor final output sharpening. The Epson gives better contrast and darker blacks, the little Kodak "scanner" images are lower contrast and more middle gray tones without some work in post.

 

[re-note]

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AgfaCTprecisa 200
Leica R3 - Elmarit-R 2,8/180

 

[Out to Lunch]

Leica M7 - Zeiss Distagon T* 1.4/35 ZM - Kodak Pro Image 100.

 

[gordo]

An aside, all images shot with the Canonets are using sunny16 equivalent settings as the meters don't work.

Canonet QL17 GIII + Pro Image 100

 

[MarkoV]

Wolfen Color NC500

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[gordo]

Canonet QL17 GIII with Ultra Pan 400 + orange filter, 4:3 crop applied.

 

[gordo]

Canonet QL17 GIII, Pro Image 100.

 

[Out to Lunch]

Vung Tau lighthouse. Leica M7 - Zeiss Distagon T* 1.4/35 ZM - Kodak Pro Image 100.

 

[Out to Lunch]

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Saigon Zoo & Botanical Gardens (1864), Leica M7 - Zeiss Distagon T* 1.4/35 ZM - Fujicolor 400.

 

[Out to Lunch]

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Vung Tau, Back Beach. Leica M7 - Zeiss Distagon T* 1.4/35 ZM - Kodak Pro Image 100.

 

[gordo]

Canonet QL17 GIII, Pro Image 100.