- Location
- Switzerland
- Name
- Matt
The combo is nice enough; I prefer the Panasonic 12-32mm myself if we're talking about tiny zooms.Matt, all jokes aside, the Olympus E-M10 MkII with the 14-42 EZ produces excellent images (Sony 16 MPx sensor), has decent/excellent IBIS and is tiny. BUT it is not weather/dust sealed. Could be your answer?
To get decent high ISO (6400) images out of any mFTs camera, you must get your exposure exactly right in the camera, and know your light. I know that you are competent at the light part.
Here is a shot of Rosa taken with my E-M1 MkI (relatively crappy and noisy Panasonic 16 MPx sensor) taken with my 12-50 macro 'kit' lens.
View attachment 304119
Focus is on her irises.
It is by no means a one off.
But it misses out on one major criterium I mentioned: weather-sealing! If any of those compact lenses existed with sealing, I'd be all over it.
All this aside, I'm actually seriously considering to forgo pocketability once more (or once and for all); a viable solution might be to stick with the E-M5 III and the 12-45mm f/4 PRO - and add the equally well sealed 20mm f/1.4 PRO, a lens I had previously written off as "over the top" but now view in the light of complementing a very compact, very well made bad-weather kit. I'll decide this weekend ... *Not* buying the X100V will let me get the 20mm *and* keep the Panasonic 25mm f/1.4 II that I love for its rendering (it's very, very close to my Leica Summicron-M 50mm f/2 in character) - a lens that, while sealed, I don't trust as far as the Olympus ones. It's a somewhat decadent course of action, but it feels kind of right - and it saves me all the trouble of putting together a "complete" X100V setup. I may even keep the G1X III around ... it's not as if I can expect to get a lot of money for it if I try to sell it.
I'll not argue about what's "usable" and what's not when it comes to high ISO. YMMV, depending on personal thresholds and preferences. My personal limit is ISO 1600 for current 20MP sensors - which is perfectly okay by me. Between fantastic I.B.I.S. and really nice fast glass, I don't need more (I've used ISO 3200 in a pinch). I don't like to sacrifice colour depth, dynamic range and clarity if I don't have to, and I try to use as little noise reduction as I can get away with. Thus, I'll go no higher than ISO 6400 even on my Nikon FX bodies. But I fully recognise that's just me ...
M.
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