I was thinking about this. I quote myself: "Sumtimes ah thiiiiink."It's a lot of money for legacy glass, and had I not inherited it I wouldn't own one. It does, however, make nice photos!
Most old Minolta glass is respected for color rendering. This is the 58/1.2 made with an SRT-101 on Kodak 200. It was developed by the Darkroom in CA, and is the lowest-quality scan available.Anyway, the 1.4 version is loved for reasons like the colors in general (both yellowed and de-yellowed), skin tones and the filmic look when adapted to a digital camera. I've wondered, but never asked if the 1.2 is loved for the same reasons or for being a better lens in other ways.
I'm not sure I've ever known anyone to state they own both.
Nice!Most old Minolta glass is respected for color rendering. This is the 58/1.2 made with an SRT-101 on Kodak 200. It was developed by the Darkroom in CA, and is the lowest-quality scan available.
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You can never get a photo this good without buying a $1200 native lens for a 60Mpix camera! So, please don't break those rules Of course I am only joking, good mate Oh, what happened? Am I speaking Oz or Brit?I have a few Minolta lenses, this shot is with the 50mm f1.4 plus speed booster.
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I guess these pictures were shot with different apertures?The Minolta MC Rokkor-PF 1.4/58 (3rd version) is one of my favourite lenses. It should be distinguished from the earlier Auto-Rokkor 1.8, which had weaker anti-reflective coatings. On the cropp matrix it is an ideal lens for portraiture, its way of showing the background is reference. We can adjust the depth of field according to individual needs. Supposedly even better optically is the Rokkor-PF 1.2 version, but its price is currently $750. This expensive Minolta and Canon FD 1.2/55 SSC are probably the best lenses at realistic prices.
The Minolta MC Rokkor-PF 1.4/58 works superbly with analogue cameras, only there it shows its true potential. I will never sell this lens
Below three samples with this lens and Fuji X-T1:
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