- Location
- Central Ohio, USA
- Name
- Andrew
For the last few days, I've been mucking around with the film modes. The smooth color film reminds me of a let intense Kodachrome 25. Not bad, but not something I think I would use a lot.
The vivid color film is nicely saturated, but it does seem to skew toward the highly contrasty and the JPG seems to be almost 1 full stop under exposed compared to the DNG file. A little boosting and it seems OK.
Still leaning toward just shooting RAW and post processing. I will say that the JPG were pretty good overall and I can see some potential in them in the future as I continue to get used to them.
Some samples from the vivid film mode from today. I do like the "grain" structure that it employs at base ISO.
One last note - I was messing with the lens profiles and set the M 240 to manual and had it setup for the Zeiss 50mm f/2. Totally forgot to switch it to a 35mm f/2.8 equivalent - so the EXIF data is incorrect - so the images below are all from the Zeiss Biogon-C 35mm f/2.8 ZM.
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The vivid color film is nicely saturated, but it does seem to skew toward the highly contrasty and the JPG seems to be almost 1 full stop under exposed compared to the DNG file. A little boosting and it seems OK.
Still leaning toward just shooting RAW and post processing. I will say that the JPG were pretty good overall and I can see some potential in them in the future as I continue to get used to them.
Some samples from the vivid film mode from today. I do like the "grain" structure that it employs at base ISO.
One last note - I was messing with the lens profiles and set the M 240 to manual and had it setup for the Zeiss 50mm f/2. Totally forgot to switch it to a 35mm f/2.8 equivalent - so the EXIF data is incorrect - so the images below are all from the Zeiss Biogon-C 35mm f/2.8 ZM.
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