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<blockquote data-quote="agentlossing" data-source="post: 399041" data-attributes="member: 8665"><p>Lately I have been hankering after a Rollei 35, because the G.A.S. never sleeps! I got a photobook published by someone on another forum where he used the 35 for a long time with the same film and processing, resulting in a body of really cool impressionistic B&W work. I always like the idea of truly tiny 35mm cameras, and had a Minox 35 for a while, but could never get along with it since manipulating the tiny controls was unpleasant. The aperture ring on the lens had no click stops and was very small and fiddly, you couldn't access it from underneath since the fold-down lens cover was in the way, and the shutter release had basically no feedback. I parted with the Minox after very little use.</p><p></p><p>The Rollei looks like a much more robust tiny camera, and the CLA'd ones available from Film Furbish are actually a good deal, along with a warranty. Scale focus is fine, I enjoyed that when I had a working Konica C35 Auto years ago. But... my Ricoh 500G is only a little bigger, and I seldom use it now, even though I've been really happy with the photos I've taken with it. The responsible thing to do is to carry around and shoot the 500G for a while, before making any more purchases, so I'm going to make myself do that.</p><p></p><p>The one expenditure which I feel like could make sense is a better film scanner. Since I only shoot 35mm right now, I've looked at a couple of the Plustek models and the Pacific Image Powerfilm CCD. All are expensive for single-purpose machines, especially the Pacific Image, but the appeal of putting multiple film strips into a feeder is quite strong, after fiddling with the poor film holder in my Epson V550 for so long. These machines all get very mixed reviews, it seems to me that it takes some time and determination to get one working well, and maybe a little luck as well. But if I could speed up the scanning process as well as obtain better scan quality, that would really fix the pain point I feel when shooting film.</p></blockquote><p></p>
[QUOTE="agentlossing, post: 399041, member: 8665"] Lately I have been hankering after a Rollei 35, because the G.A.S. never sleeps! I got a photobook published by someone on another forum where he used the 35 for a long time with the same film and processing, resulting in a body of really cool impressionistic B&W work. I always like the idea of truly tiny 35mm cameras, and had a Minox 35 for a while, but could never get along with it since manipulating the tiny controls was unpleasant. The aperture ring on the lens had no click stops and was very small and fiddly, you couldn't access it from underneath since the fold-down lens cover was in the way, and the shutter release had basically no feedback. I parted with the Minox after very little use. The Rollei looks like a much more robust tiny camera, and the CLA'd ones available from Film Furbish are actually a good deal, along with a warranty. Scale focus is fine, I enjoyed that when I had a working Konica C35 Auto years ago. But... my Ricoh 500G is only a little bigger, and I seldom use it now, even though I've been really happy with the photos I've taken with it. The responsible thing to do is to carry around and shoot the 500G for a while, before making any more purchases, so I'm going to make myself do that. The one expenditure which I feel like could make sense is a better film scanner. Since I only shoot 35mm right now, I've looked at a couple of the Plustek models and the Pacific Image Powerfilm CCD. All are expensive for single-purpose machines, especially the Pacific Image, but the appeal of putting multiple film strips into a feeder is quite strong, after fiddling with the poor film holder in my Epson V550 for so long. These machines all get very mixed reviews, it seems to me that it takes some time and determination to get one working well, and maybe a little luck as well. But if I could speed up the scanning process as well as obtain better scan quality, that would really fix the pain point I feel when shooting film. [/QUOTE]
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